(((watch))) Sabki Bajegi Band full movie online[live]

And now, the director is prepared to wade into even more controversial waters--he has just released the theme song of the film--Bajaane aaye sabki band--a hilarious tongue in cheek spoof of all the colourful affairs of Bollywood stars through the years..the song is more like an annual issue

of a gossip magazine, featuring Kjo-SRK,Abhi-Sallu-AshLolo,Bips,Akki-Piggy-RavsShilp,Duggu-Bebo,and Run-b-Kat...the song spares no star in the last 20 years!-and after the tremendous response it has got online where its gone viral, RJ Anirudh plans to release a song sequel for the first time-featuring gen next of bollywood!! --in a very smart move, director rj anirudh--who has written the song himself(with vocals by Tochi Raina and Chintu Bhosle, Asha Bhosle's grandson)-has refrained from using the real names of the super stars..but the pet names and the film references are only too obvious. Sample this: KJO ko kuch kuch hota hai..SRK, do u understand?...liya ash ne dabangg stand, kiya sallu ko tata and..abhi khush hai abhi ke saath..lolo, i am sure does understand---when bebo met mr fida..ishq vishq hua, no vivah....kat ko bahut dogs mile, sheela ke peeche sabke duum hile.

The flamboyantly outrageous video of the song has been made by a fan of the film, as part of a karaoke song contest!! Of course, RJ Anirudh claims that the song is a tribute to bollywood's grandest "silly-sillas" and that he didn't mean to offend anyone..and anyway, all this is in the public domain anyway..but it remains to be seen whether bollywood appreciates this tribute and laughs it off or as Anirudh says, "bajaos my band"! The film Sabki Bajegi Band a Percept Pictures presentation of a Yen Movies production is produced by Yusuf Shaikh and written and directed by RJ Anirudh AIM: RyanMaxBounty

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{{{watch gabbar is back full movie online[liveonline]}}

After Rowdy Rathore, Akshay Kumar and Sanjay Leela Bhansali have teamed up again for Gabbar Is Back. The action flick which also stars Shruti Haasan and Kareena Kapoor Khan is slated to release next week on May 1. While the trailer which came out not too long ago received positive response from the masses, have the makers managed to come up with an equally entertaining music album for their film? Well, Arijit Singh’s Teri Meri Kahani is already a hit with the masses but are rest of the songs worth hearing? Read on to find out…

Teri Meri Kahani: The first track of the album is this romantic number which is sung by none other than Arijit Singh and Palak Muchhal. Considering Singh has lent his melodious voice to this song, its not surprising that its an absolute treat to the ears. Teri Meri Kahani is a breezy number with beautiful lyrics and soothing music. It’s not a typical Arijit Singh number and that’s the best part about it. Usually, romantic songs are slow paced but this one isn’t and that’s refreshing. While both the singers have sung their part amazingly well, its the Arijit who shines throughout the song. Coming to the video, well, you get to see Akshay Kumar and Kareena Kapoor Khan in this one, so what else do you want? On a serious note, the video and song do sync perfectly together which makes Teri Meri Kahani an audio-visual delight.


Verdict: This track surely needs to be played on loop!

Coffee Peetey Peetey: This one is also an romantic number but its quite different from Teri Meri Kahani. Sung by Dev Negi and Paroma Das Gupta, Coffee Peetey Peetey is a good hear. You may not like it the first time you hear it but give it time and it will grow on you. What I really liked about this song is its music. It’s upbeat and yet very mushy. Also, the way Paroma Das Gupta has crooned her part is just so cool and peppy. Hear the song and you’ll know what I am trying to say. Overall, Coffee Peetey Peetey should end up on your playlist. You may not keep it for long but if you’re going on long drive with your special one during monsoon then this is the track you need to play in your car.

Verdict: Not great but good enough to be on the playlist for a while.

Warna Gabbar Aa Jayega: Well, I call this one Gabbar rap because technically that should have been the title of this song. Warna Gabbar Aa Jayega is sung by Manjeet Ral but you also get to hear Raftaar whose rap is super addictive. Unlike the other two songs, this one is more raw and desi courtesy the iconic word Gabbar. I never thought there could be a song around this one word which in a way is synonymous to Hindi cinema. But I am glad that the composers Manj Musik came up with this song. While the upbeat music will get you grooving, on the other hand, Raftaar’s rap will keep you hooked to this track from the word go. Warna Gabbar Aa Jayega is not an extraordinary number but its a perfect Bollywood song which every movie buff will like.

Verdict: It’s one of those songs you just need to have in your list to pump up your mood every now and then!

Aao Raja: Sung by Neha Kakkar and Yo Yo Honey Singh, this item number features Chitrangda Singh. If you ask me frankly, I think this track wasn’t needed at all. It seems the makers wanted to incorporate a item song just to create buzz around the film. But sadly for me, this Aao Raja didn’t work. Neither the lyrics not the music could hold my attention for long. Yes, Honey Singh’s rap is worth hearing but the same can’t be said about the entire song.

Verdict: You wouldn’t be missing out on something great if you skip this one! AIM: RyanMaxBounty

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(((Movie Review: Ex Machina -- Mechanical)))

Ex Machina is both tastily minimal and frustratingly simplistic.

Alex Garland's directing debut (he wrote 28 Days Later and Sunshine) is, in essence, a three-hander about three people in a house. OK, a high-tech mansion, but you get the point.

Yet, after tantalizing us with increasingly imaginative developments and the promise of catharsis, Garland lets it all dribble away at the end.

Domhnall Gleeson plays Caleb, a programmer at an unnamed tech company who wins a prize as the film begins. He will get to spend a week with the company's founder and head genius, Nathan (Oscar Isaac, who, with a shaved head and big beard, could double for the late Shel Silverstein).

Think Bill Gates or Steve Jobs -- except this guy is a muscular, hard-drinking alpha with a bit of a god complex. But he's a benevolent god, at least to Caleb. Nathan overwhelms him with hospitality, then announces that what he's won is the chance to conduct a Turing test on a new bit of artificial intelligence he's invented.

Specifically, he will meet and speak with Ava (Alicia Vikander), an astonishingly human robot with realistically humanoid face, hands and feet attached to her bio-technic frame. When she puts on a wig and clothes, she looks like a woman.

This review continues on my website.

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(((([Image for the news result Avengers: Age of Ultron: 7 burning questions])))

The following article contains detailed plot spoilers for Marvel's Avengers: Age of Ultron. If you haven't yet seen the film, and don't want to know what happens in it, then please don't read on.

• Avengers: Age of Ultron will have different ending on DVD

1. Where has The Hulk gone and when will he be back?

By the end of Avengers: Age of Ultron, it was clear that poor Bruce Banner (Mark Ruffalo) was in serious need of some alone time. The gentlest Avenger of all – when not in green mode – , he was evidently struggling with the destruction caused by his alter-ego, and with the naked fear on the faces of some of the bystanders caught up in it.

However, contrary to some of the rumours doing the rounds ahead of the film, he wasn't "shot into space" at its finale. Nor did he skip into the sunlight with Scarlett Johanssen's Black Widow (consumed by fear that he'll end up hurting those he loves, he opted to leave her behind). Instead, it was left ambiguous as to where exactly Banner had gone, and when he'd be back from his Hulk-sulk.

• The 21 greatest superhero movies of all time

What we do know is that Marvel have no plans for a standalone Hulk movie anytime soon. Plus, unlike many of his fellow Avengers, it seems the character definitely won't be appearing in 2016's Captain America: Civil War (Chris Hemsworth's Thor will also be missing: he's busy back home in in Asgard).

Rumours that Banner would be turning up in Guardians of the Galaxy 2, presumably after being shot into space, have also been denied by the film's director, James Gunn, dashing fans' hopes of seeing Hulk come face to face with the likes of Groot and Dave Bautista's Drax. (But Bautista himself recently revealed that he'd love to see an Avengers/Guardians crossover. We're totally with you on that, Dave.)

Instead, it looks like the next time we'll be seeing Banner/Hulk and getting some answers will be in Avengers: Infinity war, in 2018. It'll be interesting to see whether this movie will mark the character's reunion with Black Widow, or whether it'll be implied that the pair have been in contact since Age of Ultron.

2. Just how hideous was Black Widow's background?

Some of the darkest moments in Age of Ultron were the flashbacks experienced by Natasha Romanoff, which included a forced sterilisation, and eerily lit scenes of a young, long-haired Natasha practising ballet and carrying out an execution.

Romanoff's feelings towards not being able to have children were also explored during a heartbreaking exchange with Banner, as she revealed that, thanks to the operation, she now felt like "a monster".

• Read: Age of Ultron: 17 things you need to know

Fans of the character, and Marvel's comic books, will know that as a young girl Russian-born orphan Romanoff was trained by her country's Black Widow organisation to become a super assassin. (The character was first introduced in 1964, at the height of Cold War paranoia). As part of the process, which took place in a facility known as the "Red Room", she was also brainwashed, and given false memories of being a ballerina - although, in Whedon's film, it looked as if the ballet lessons could have been part of her super-strict training regime.

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(((('"The Longest Ride’ Movie Reviews and Ratings)))

Scott Eastwood Attends 52nd Publicists Awards
(Photo : Mingle Media TV/ Wikimedia/CC) Scott Eastwood at the 52nd Annual Publicists Awards at the Beverly Hilton hotel on February 2015.

Luke Collins and Sophia Danko have a serendipitous encounter a year after Luke returns to bull riding. They rescue an old man from a car crash. Sophia continues to visit the man as he tells her a love story. Luke and Sophia’s own love story blossoms as Luke continues to risk his life bull riding. ‘The Longest Ride’ is a 2015 film adaptation of Nicholas Sparks’ novel. The film was released on April 10.

The film stars Scott Eastwood as Luke Collins, Britt Robertson as Sophia Danko, Alan Alda as Ira Levinson, Jack Huston as young Ira, Oona Chaplin as Ruth, Melissa Benoist as Marcia, Lolita Davidovich as Linda Collins, Barry Ratcliffe as the Auctioneer, Gloria Reuben as Adrienne Francis, Brett Edwards as Jared Midelton, Hunter Burke as David Stein, and Alina Lia as Brooke.

‘The Longest Ride’ received an Audience Score of 77% and 4/5 average rating out of 18,869 user ratings. It has a 29% on the Tomatometer and has an average rating of 4.3/10 out of 86 reviews. It received 25 fresh tomatoes and 61 rotten tomatoes. It runs for 128 minutes.

George Tillman, Jr. directed the film and it was edited by Jason Ballantine. The $34 million budget film features music by Mark Isham. Fox 2000 Pictures and Temple Hill Entertainment produced the film. 20th Century Fox was the distributor.
Reviews from Rotten Tomatoes:

“People don't go to Sparks movies for subtlety; they go to warm their hearts by bearing witness to true love. Of course, that requires a story that rings true. In "The Longest Ride," authenticity is in short supply,” wrote Stephanie Merry from the Washington Post.

“It tries to bridge the gap between pop culture and cultural elitism, between high art and the common commodity that everyone else buys tickets to see. A worthy goal, but it results in a movie that has none of the virtues of either,” wrote Peter Keough from the Boston Globe.

“Conforms to a timeworn, and shopworn, Sparks formula of troubled protagonists receiving wisdom, or inspiration, or both, from unexpected sources,” wrote Joe Morgenstern from the Wall Street Journal.

“The Longest Ride is sentimental, forced and silly, but it's sure to hit the bull's-eye with its intended audience,” wrote Claudia Puig from USA Today.

“Carolina settings, star-crossed lovers, elements of tragedy: Sparks' formula works. Get out your handkerchiefs, and rest assured that there will be uplift at the end,” wrote Soren Anderson from the Seattle Times.

Tags The Longest Ride, Nicholas Sparks, 2015, movie, Scott Eastwood

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((Paul Blart: Mall Cop 2 Full HD Movie))

The gut feeling is that if anybody urgently needed the further adventures of Kevin James’ human Weeble, we’d have had them a year or two after 2009’s amiably duff original. Six years on, and the gods have provided us with a cinematic equivalent to the second Cheeky Girls album, or anything Sir Mix-a-Lot put out after “Baby Got Back”: any novelty has long worn off, leaving behind a flagrant cashgrab.


                    

Repeat exposure does raise the intriguing possibility that Blart – a plump, dim-witted sucker who gets knocked down repeatedly, but always recovers to restore order – might be meant as a manifestation of middle-American character, much as Timothy Spall’s awkward, weather-sensitive, snaggletoothed Mr Turner was bound up in ideas of British self-image.

Still, that’s almost certainly to ascribe too much significance to a film born of Adam Sandler’s production-line formula, sloping out towards another incentive-offering leisure resort – here Vegas, where Blart foils a casino heist – to cobble together saggy sketches mixing blunt, obvious knockabout (of course PB blunders into a Cirque de Soleil-style spectacle) with underfelt family values.

The franchise operates firmly in the PG safe zone, which at least spares us the half-assed chauvinism of Sandler’s recent vehicles, but this only results in even less of an actual movie than Blended or Jack and Jill: 94 minutes of harmless, mostly jokeless, tensionless pop-cultural background noise in which Neal McDonough (so terrific as the DA on TV’s Boomtown) displays unnecessary flickers of class as a precise villain, and James and co-writer Nick Bakay toss in references to Joseph Conrad and “I’ve Never Been to Me” hitmaker Charlene either to win a bet or tip accompanying adults the wink they’re actually more cultured than all this pratfalling would suggest.

Blart himself remains a big man – James’s surprisingly limber bulk is the one gag this sequel has to shamble along with – but the pictures really are getting smaller, it would seem: already vanishing from UK screens and surely doing likewise in the US over the coming days, this isn’t much more than a fly’s fart of a film, the most microscopically tiny of afterthoughts.

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((New Focus (2015) Full HD movie watch))

The first feature film that Will Smith made as a leading actor was Six Degrees of Separation. In that 1993 movie, Smith played a con artist. The last feature film that writer-directors Glenn Ficarra and John Requa made as both writers and directors was I Love You Phillip Morris. That 2010 movie was also about a con artist, more specifically a criminal escape artist. Both those films are vastly better than this one. Mainly, the central characters in those previous films were better as written. This character isn't, which is purposeful, but it feels as if the movie relies more on Will Smith's charm, sex appeal and just overall screen presence. The screenplay doesn't give him much of anything real. Ficarra and Requa give him fake stuff, but this film continually pulls the rug out that the character can never truly stand on his own two feet. This film is built on a house of lies that the character becomes the boy who cried wolf, but, instead of analyzing the boy or being any kind of character study, the film is about trying to fool the audience and after it does so the first couple of times, the final third is totally unbelievable and a chore to endure.

Will Smith plays Nicky, a con artist who meets an amateur con artist named Jess, played by Margot Robbie (The Wolf of Wall Street). Jess is also a pretty-skilled pickpocket, but she realizes that Nicky is just as good if not better. She also realizes that he's a far better con artist, so she wants to learn from him. He does become her mentor and they seemingly fall in love in the process.

What's surprising to Jess is that Nicky actually has a network of con artists, pickpockets and thieves who work for him. Nicky espouses that the basis of his art of stealing is distraction, or diverting people's attention or changing their focus. The way he runs his operation, it's almost like George Clooney in Ocean's Eleven but more over-the-top. The romance between Will Smith and Margot Robbie is reminiscent of Julia Roberts and Clive Owen in Duplicity, but with no grander purpose.

The problem is that Nicky and Jess aren't really all that likeable. The sense is conveyed that both had very humble if not impoverished backgrounds. Actually, Nicky says his father was a con man too, but his behavior suggests he's always had money, stolen money, but money nonetheless. Nicky does make the distinction that his targets or marks aren't mainly big or high-rollers. His targets are mainly people on the street. We see him and his team working on the streets of New Orleans. Yes, Hurricane Katrina was a decade ago, but plenty of people and a lot of that city are still recovering and to make New Orleans' streets and its people targets of thievery felt wrong. Nicky is clearly no Robin Hood. He's just a selfish, greedy liar.

BD Wong cheers in the best scene of the film
Writer-directors Ficarra and Requa inject a really good con artist sequence in the movie, which works in the moment, but deconstructing it afterwards has it be a totally ridiculous level of twisting and meticulous planning. It's fun in its craziness, but it makes everything that follows untrustworthy and unbelievable, and unfortunately nothing, not even the actors can pull it back. Not even a shocking life-and-death situation is trustworthy or believable after that great sequence.

Smith gets some funny one-liners. He at one point screams, "Where are all the black people?" It's funny because aside from Smith, there are no other black people in this film. Not even Nicky's so-called father is black. There is great Latino representation. Adrian Martinez plays Farhad, the comic relief and Rodrigo Santoro who was also in I Love You Phillip Morris plays the sexy villain. There's also good Asian representation. BD Wong (Oz and Law & Order: Special Victims Unit) plays Liyuan, a compulsive gambler who steals the film in the one scene he has, which is actually the only thievery in the film that I liked.

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